Skip to main content

Three Elements of Short Film Structure


Short films are very limited in length. So by their very nature they restrict the number of ideas you can explore, the characters you can imagine, and so on. Because of this, you have to make very different decisions when it comes to plot structure, characters, conflict, and idea choice than you would for a longer film. So here are three elements that form the structure of the short films.

1. The short film should only explore one major concept or idea

For more traditional narratives, you may be trying to send a simple message or communicate a belief. Whatever that may be, it’s simple and to the point like ''Selfishness leads to suffer''. On the other hand, your film might be more concept driven. For example ‘A quiet couple on a road-trip at night are actually vampires travelling to find their next victim.’ or ‘A man finding items for his grocery shopping list is revealed to be scavenging for his family after the apocalypse.’ That can be anything which includes the unexpected twists. The first item has a message while the rest two don’t, they focus on a twist reveal. This is one of the great things about the short film medium – you have some flexibility. These concepts are doable. A simple setup and pay-off. By limiting the information you share with your audience, it's possible to tell a story very well without watering down their experience. So, if your idea looks like it can’t be reduced to exploring one idea then it may not be suited for a short film. 

2. Your short film should only explore one relationship or conflict

There’s a difference in how characters, relationships, and conflict are explored in a short film compared to a feature film. With limited time available, you have to limit the exploration of relationships between characters. A short film should have one major conflict or goal that a character is trying to resolve. This single conflict and its stakes create the drama your story needs without overcomplicating your story. In a feature-form film, there’s time to explore multiple relationships and at much greater depth. However, a short film will be bogged down with exposition, hanging plot threads, and more, if you try to explore too much at once. Focus.

3. The resolution and the plot twist

It is very important that the set up of short films is satisfying to the audiences. There are different ways to do this, but a great way is through a plot twist. Short films are perfect for them. You can hit the main idea of ​​your short film and resolve the conflict at the same time. While plot twists can be difficult for short films or feature films, it's much easier to put a short film win on a twist. 

Comments

Popular posts from this blog

Critical Question 2

How does my product engage with my audience? Well firstly it’s important to find out what my audience is. They are people who are very likely to enjoy the thriller genre films and their age somewhere between the teen age and early 30’s, possibly middle class people because they can understand the pain which main character feels. The main character is fully in debt and the stranger who he meets in a cafĂ© gives him an offer to murder someone so he’ll be paid enough money to return the debt. Many people who will watch this will ask very deep questions like ‘’What would I do on his place if I had debts too?’’. And also there are thriller fans of the same age as above described people. These are the category which use the film watching to feel the tension, the people found out the Fincher-style thrillers which give the cliffhangers and the viewers wonder what will happen next. These people don’t watch these films because they reflect their personal life problems but are made in the genre th

How to Make a Good Villain

Villains are important characters in plot because they drive the conflict and they capture the viewer's attention. A villain is the opposite of a hero. A villain is the antagonist of your story whose motivations and actions oppose the protagonist  and drive the plot of your story. A villain is the opposite of a hero. In contrast to the hero, a villain is usually compelled by a desire to commit acts of cruelty and immorality. Every great hero needs a great villain. Villains are the antagonistic force  of your story that challenges your hero and drives the action. Most great villains share a common set of characteristics: 1)  Strong connection to the hero . The best villains are inextricably connected to the hero, and aid in the hero’s character development  through their inherent opposition to them. For example, in the  Harry Potter  series, Lord Voldemort murdered Harry Potter’s parents when he was a child, leaving behind a magical scar on Harry’s forehead intrinsically connects th

Cinemascope

  Cinemascope is an anamorphic process that compresses an image during filming and uncompresses it when projected. The process involves squeezing a wide image onto 35mm film so that it fits the physical celluloid's square frame. With the help of anamorphic projection lenses, this image is then unsqueezed, allowing for the full width of the image to be displayed. In the early days of cinema, French inventor Henri Chretien created and patented an anamorphic lens that could be used for motion pictures. However, back in the 1920's and 1930's, no one was really interested. That all changed in early 1950's, when motive studios were losing their audience to the rise of television. It was convenient, could be enjoyed at home and provided the same entertainment value as movies. However, in 1952, ''This Is Cinerama'', which displayed a widescreen image with three cameras and three projectors was becoming a smash hit across the country, albeit in limited theatres.