Tragicomedy of the Short Film

Tragicomedy is a genre which combines elements of both comedy and drama. Tragicomedy can be either a serious play with a happy ending (which is not a case with the simple drama) or a tragic play with a touch of humorous moments in order to lighten the mood. The point of tragicomedy is to evoke sympathy for the suffering of characters in order to expose responsible, social circumstances. Presenting human dignity, it gives the audiences hope and comfort.

The discrepancy between drama and comedy in tragicomedy can contrast both in coexistence and in opposition to each other or it can merge in identical cooperation. In ''laughter while crying'' syntheses, comic and tragic elements mutually reinforce each other: empathy and distance occur in constant switching and can even appear in paradoxical coincidence where they are indistinguishable.

Unlike drama, tragicomedy gives the audience positive moments which calm the people down after the tense scene and also the films of this genre usually have a positive ending. Also, unlike comedy, tragicomedy has a more complex character development so both protagonist and supporting characters feel to be more realistic. ((For the paragraphs described above I used this site-https://dramaqueen.info/wiki/genre-2/?lang=en)

That's the genre in which my short film is going to be because the songs of ''Pet Sounds'' and their themes are perfect to fit in this genre because there is a serious character development and also light moments which calm the pressure scenes.

Comments

Critical Question 2

How does my product engage with my audience? Well firstly it’s important to find out what my audience is. They are people who are very likely to enjoy the thriller genre films and their age somewhere between the teen age and early 30’s, possibly middle class people because they can understand the pain which main character feels. The main character is fully in debt and the stranger who he meets in a café gives him an offer to murder someone so he’ll be paid enough money to return the debt. Many people who will watch this will ask very deep questions like ‘’What would I do on his place if I had debts too?’’. And also there are thriller fans of the same age as above described people. These are the category which use the film watching to feel the tension, the people found out the Fincher-style thrillers which give the cliffhangers and the viewers wonder what will happen next. These people don’t watch these films because they reflect their personal life problems but are made in the genre th

How to Make a Good Villain

Villains are important characters in plot because they drive the conflict and they capture the viewer's attention. A villain is the opposite of a hero. A villain is the antagonist of your story whose motivations and actions oppose the protagonist and drive the plot of your story. A villain is the opposite of a hero. In contrast to the hero, a villain is usually compelled by a desire to commit acts of cruelty and immorality. Every great hero needs a great villain. Villains are the antagonistic force of your story that challenges your hero and drives the action. Most great villains share a common set of characteristics: 1) Strong connection to the hero . The best villains are inextricably connected to the hero, and aid in the hero’s character development through their inherent opposition to them. For example, in the Harry Potter series, Lord Voldemort murdered Harry Potter’s parents when he was a child, leaving behind a magical scar on Harry’s forehead intrinsically connects th

Cinemascope

Cinemascope is an anamorphic process that compresses an image during filming and uncompresses it when projected. The process involves squeezing a wide image onto 35mm film so that it fits the physical celluloid's square frame. With the help of anamorphic projection lenses, this image is then unsqueezed, allowing for the full width of the image to be displayed. In the early days of cinema, French inventor Henri Chretien created and patented an anamorphic lens that could be used for motion pictures. However, back in the 1920's and 1930's, no one was really interested. That all changed in early 1950's, when motive studios were losing their audience to the rise of television. It was convenient, could be enjoyed at home and provided the same entertainment value as movies. However, in 1952, ''This Is Cinerama'', which displayed a widescreen image with three cameras and three projectors was becoming a smash hit across the country, albeit in limited theatres.

Andrii Azarchenko

Search This Blog